Books in The Oxford Shakespeare series

Perhaps the most brilliant political play ever written, Coriolanus is a gripping psychological study of the relationship between personality and politics, and its Roman hero one of the most memorable Shakespeare ever created. The introduction to this new edition offers the first full stage history and analysis of the original production of Coriolanus at the Blackfriars theater, and also examines Shakespeare's adaptation of his historical material while emphasizing the wide range of interpretations that are possible in performance.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Henry VI: Part One is a dramatic tale of the lives of soldiers, diplomats, kings, and insurrectionists. It depicts the fractious instability of the court and nobility of fifteenth-century England, and their squabbles with their French counterparts.Despite its debut performance in 1592, however, Henry VI: Part One does not appear in printed form until some thirty years later, in the 1623 folio. There are many questions, therefore, surrounding exactly how many people wrote the play, when they did so, how it was performed, who played what part, and the nature of the manuscript behind the first performance. In his wide-ranging introduction, Michael Taylor offers answers to these questions, and discusses other key issues such as language, structure, performance history, and the role of women in the play. Taylor edits the play for students, scholars, and theater-goers with an informative commentary on all aspects of the language, action, characters, and staging.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Introduction to this edition of The Merchant of Venice addresses one of the most important issues raised by the play, the question of Shakespeare's attitude toward Semitism. There follows a study of the play's sources, background, and date, including a discussion of Freud's essay on "The Three Caskets." The critical interpretation of the play focuses on its contradictions and inconsistencies, especially as they relate to the overarching theme of bonds and bondage. The text, based on a fresh examination of the early editions, is presented in modernized spelling and punctuation, and helpful commentary includes new interpretations of particular passages and characters. Unfailingly lucid and helpful, this is an ideal edition for students at all levels as well as for the general reader.

As You Like It is Shakespeare's most light-hearted comedy and one of the best-loved and most performed of all his plays. In his introduction to this new edition Alan Brissenden suggests reasons for its delayed publication and discusses in detail how productions have changed radically over the years. Shakespeare's use of his sources, his handling of the themes of love, doubleness, and pastoral are dealt with, as well as the significance of men playing women's parts on the Elizabethan stage. Detailed annotations explain allusions, puns, and difficult passages, enabling student, reader, actor, and director to savor the humor and the seriousness of the play to the full. There are illustrations, and appendices on "wit" and the songs, for which the earliest known music is printed.

Edited by the eminent A.R. Braunmuller, this thorough edition of King John--the first scholarly edition in almost fifteen years--makes a significant contribution to the study of Shakespeare's works. Braunmuller offers a wide-ranging critical introduction, which focuses on the play's political relevance in Elizabethan England, its relationship to legal issues of the day, its treatment of women and families, and its overall aesthetic importance in Shakespeare's early career. He also provides a richly detailed stage history, full annotations that are especially sensitive to the play's language and staging, and an ample bibliographical study of the Folio (1623) text. The most comprehensive and up-to-date edition of King John currently available, this book is an invaluable resource for Shakespearean scholars, students, and theatergoers alike.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Shakespeare's vivid dramatic projection of moral and ethical issues in Measure for Measure has given the play great appeal to both readers and theatergoers. Exploring the play's qualities as a complex work of art written specifically for the theatre, the introduction to this new edition sets the play in its historical context, discussing the originality of Shakespeare's treatment of a well-known story. Bawcutt explains the obsolete marriage customs, and also offers a comprehensive account of the text's theatrical afterlife from Restoration adaptations to recent productions.

From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s most loved comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of A Midsummer Night’s Dream in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are three interviews with leading directors Michael Boyd, Gregory Doran and Tim Supple, providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

All's Well that Ends Well receives, in this new edition, the full reconsideration for which it is overdue. After a long theatrical and critical history marked by avoidance and simplification, the play's dislocations of desire and clashing ideologies of class and gender are made newly accessible to readers, performers, and audiences. All's Well that Ends Well found little favor in the infrequent productions of earlier centuries, and was drastically reshaped by Garrick toward farce and by Kemble toward purity and pathos. But artists of recent decades such as Guthrie, Moshinsky, and Nunn have used the very discords of style and genre once seen as defects as sources of theatrical power and complexity, just as critics from various perspectives--feminist, sociological, generic, psychological--have found new value and pertinence in a play that is itself a deconstructed fairy tale. Susan Snyder's Introduction makes a distinguished contribution to criticism of the play, and the edition, offering freshly considered text, is fully and helpfully annotated.

When a new play was required at short notice for a court occasion in 1597, Shakespeare created The Merry Wives of Windsor, a warm-hearted and spirited "citizen comedy" filled with boisterous action, situational irony, rich characterization--and the likes of Falstaff, Pistol, Mistress Quickly, and Justice Shallow. In his introduction and commentary, Craik examines a wide range of topics, including the play's probable occasion, its relationship to Shakespeare's English history plays and to other sources, its textual history, with particular reference to the widely diverging 1623 Folio and 1602 Quarto, and its quality as drama. In light of various topical, critical, and theatrical interpretations of the play, Craik pays particular attention to defining the literal sense, proposing some new readings, and evoking the many aspects of the stage business.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

From the Royal Shakespeare Company – a modern, definitive edition of the most famous of all love stories. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Romeo and Juliet in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are three interviews with a leading director and two actors – Michael Attenborough, David Tennant and Alexandra Gilbreath – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.